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Yamaha CP88 88-key Stage Piano

88-key Stage Piano with NW-GH Keyboard, AWM2 Tone Generator, 128-voice Polyphony, 57 Voices, and USB Audio/MIDI Interface
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Yamaha’s Next-gen 88-key Stage Piano

The Yamaha CP88 represents the definitive evolution of the stage piano with enhanced portability, ease of use, and state-of-the-art sound. “CP” stands for Combo Piano, and the CP lineage goes back to 1976, when Yamaha first tackled the challenge of electrifying the sound of an acoustic grand piano. Flash forward to today, where Yamaha’s advanced technology sets the standard for digital pianos in an instrument that incorporates the company’s century-plus of piano craftsmanship and over four decades of synthesizer innovation. The CP88 puts it all together, with authentic acoustic and electric piano sounds, responsive grand piano touch, and an intuitive one-to-one user interface.

Premium Natural Wood Graded Hammer keybed

The CP88’s NW-GH (Natural Wood Graded Hammer) 88-note keyboard is designed for the discerning pianist requiring fast, accurate touch response. Triple-sensor, natural wood keys provide grand piano weighting and response while synthetic ebony and ivory keytops absorb moisture and provide tactile grip during lengthy sessions and live gigs. Pianists at Sweetwater love the natural feel and response of these keys, and if you came up playing acoustic pianos, you will too.

Amazing grand piano sounds for any musical setting

The Yamaha CP88 stage piano gives you three premium grand pianos: Yamaha’s own world-class CFX and S700 concert grands, as well as the inimitable Bösendorfer Imperial 290. These pianos provide full dynamic expression and nuance through meticulous recording and voicing.

With over 17 years of continuous development, the CFX is Yamaha’s flagship 9-foot concert grand piano, and it delivers sparkling highs, crisp midrange, and robust bass with prodigious dynamic range and the volume to project over a full symphony orchestra. Handcrafted by Yamaha master artisans, the S700 has the clarity and power to cut through dense arrangements, while remaining delicate and expressive in solo and sparser musical settings.

Bösendorfer is the only piano maker still building their instruments in the Viennese handcrafted design tradition. This results in pianos boasting the characteristic “Viennese Sound,” with warm bass, singing treble, and rich overtones. The 8-octave, 9.5-foot Imperial 290 is Bösendorfer’s awe-inspiring flagship grand. The Imperial’s extended bass range resonates with every key you strike, and its massive soundboard projects emphatically at all frequencies.

Characterful uprights for tracking

When you’re working with thick arrangements, an upright piano will oftentimes be the right choice. The CP88 has two uprights onboard, and they’re no slouches. Yamaha’s flagship SU7 acoustic upright serves up rich, resonant tone, while the Yamaha U1 — one of the most popular acoustic pianos on the planet — makes its appearance as a meticulous sample of a characterful vintage U1 — ideal for any music crying for the sound and vibe of an upright.

Vintage EPs for every occasion

The CP88’s arsenal of vintage electric pianos kicks off with the Yamaha’s beloved CP80. First introduced in 1978, the CP80 was designed to cut through a live band with its wide dynamic range and fat, powerful sound. On the funkier side of things, the CP88’s 75 Rd is a funky, dirty tine electric piano dripping with vibe and character. The 76 Rd is a high-quality tine EP suitable for all music genres. The 73 Rd has a warm, mellow, vintage tine sound ideal for ballads and accompanying singers. Lastly, the Wr is a classic reed electric piano offering vintage and modern versions with broad dynamic range.

Organs, clavinets, synths, and more

The CP88 also features a wide variety of other keyboard sounds — including tonewheel, transistor, and pipe organs; clavinet, FM pianos, and more — to cover any playing style. Also onboard are synth sounds for covering any musical situation. Split, layer, and solo fat, punchy basses, searing leads, warm pads, brilliant brass, lush strings, and more. The one-to-one CP control interface gives you real-time interaction for instant sound creation.

Expandability via regular OS updates

Out of the box, the CP88 delivers ultra-realistic piano and keyboard sounds — everything you need for professional recording sessions and live gigs. But with the needs of the modern musician in mind, it also features a new system with regular OS updates that will contain new high-quality content designed to complement the CP88’s original soundset.

Yamaha CP88 88-key Stage Piano Features:

  • Triple-sensor NW-GH (Natural Wood Graded Hammer) keyboard, synthetic ebony and ivory keytops
  • AWM2 tone generator, 128-voice polyphony
  • 57 voices, including 10 pianos, 14 EPs, and 33 sub voices (strings, organs, pads, synths, etc.)
  • Dedicated effects and effects controls for each section (Piano, E Piano, and Sub)
  • Master delay, reverb, and EQ effects with dedicated real-time controls
  • Soundmondo social sound sharing provides access to thousands of free sounds
  • Seamless Sound Switching: change sounds while holding notes without sound cutoff
  • Graphical LCD (128 x 64 pixels)
  • One-to-one UI for direct sound control during stage or studio performance
  • 2-channel USB audio/MIDI interface for audio recording/playback and MIDI control
  • Balanced XLR and unbalanced 1/4" stereo outputs
  • Dual 1/4" aux line inputs
  • Includes FC3A piano-style sustain pedal with half-pedaling

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Tech Specs

  • Sound Engine: AWM2
  • Number of Keys: 88
  • Type of Keys: Natural Wood Graded, Hammer Action
  • Touch Sensitivity: Normal, Soft, Hard, Wide, Fixed
  • Polyphony: 128 Notes
  • Presets: 10 pianos, 14 E-pianos, 33 Sub voices
  • Effects: Master Delay, Reverb, and EQ effects (for Piano, E Piano, and Sub)
  • MIDI Recording: 2 Channel USB Audio/MIDI interface
  • Audio Inputs: 2 x 1/4" (R/L mono)
  • Audio Outputs: 2 x XLR (balanced), 2 x 1/4" (R/L mono)
  • Headphones: 1 x 1/4"
  • USB: 1 x Type B (to host), 1 x Type A (to device)
  • MIDI I/O: In/Out
  • Pedal Inputs: 2 x 1/4" (sustain, damper)
  • Pedal Included: Yes, FC3A
  • Display: LCD
  • Power Supply: Standard IEC AC cable
  • Height: 5.5"
  • Width: 51.1"
  • Depth: 14.3"
  • Weight: 41 lbs.
  • Manufacturer Part Number: CP88

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Customer Reviews

Write your review
Rated 5/5

Excellent Keyboard

I love this keyboard. The touch and feel is incredible and it sounds so good, I play it for hours at a time
Music background: Keyboardists
Rated 5/5

Yamaha CP88

I am not a keyboard player, but two people who came to try it out are very impressed with this keyboard.
Rated 5/5

CP88 - Good Choice

I recently replaced my stage piano with the Yamaha CP88. This sound quality is so obvious that my band is now asking to do more piano-oriented songs. We have a guitar-heavy catalog, so this is rather significant!
Rated 5/5

Excellent for worship team

We upgraded our worship team setup with the CP88 purchased at Sweetwater. I've personally owned about a dozen Yamaha keyboards over the past 30 years but this one takes the prize. Most important is the sound. The pianos are pristeen and configurable to place them properly in the mix. The pads are equally great. The two things I like best are the action - it feels sublime - and the ease of configuration. I can change settings on the fly with just a couple clicks. This is Yamaha's best 88 stage piano yet. Highly recommended.
Music background: Professional keyboardist since the 1960's
Rated 5/5

A pleasure to play

I've had my keyboard for almost exactly a year now, and some thanks are in order.

Thank you, Yamaha engineers and designers, for creating a sturdy, fun, easy-to-understand keyboard. As a hobbyist, I'm probably "supposed to" prefer a furniture style (as opposed to a stage) keyboard. But two things attracted me to stage pianos. First, since I'm sitting down most of the time at my day job, I wanted the option of standing while I play music. A stage keyboard allows me to do that more easily than a digital piano. Secondly (and more importantly), I appreciated the direct, one-to-one physical controls that certain stage keyboards offer. Even though at first glance the CP88 interface may look complicated, it's not. I think it's much easier to flick a switch, push a button, or turn a knob than than it is to try to find something hidden away in a nested menu. I realize that the CP88 isn't the first stage keyboard to ever offer an interface like this. But I do like what Yamaha has delivered. It's not too complex, and it's not too minimal.

Also, I love that Yamaha has been periodically adding additional sounds (via software updates) to the CP88. I imagine at some point the keyboard's memory will fill up. But so far, that hasn't been an issue. And every new sound adds many more possible sound combinations. Plus, the CP88 has a built-in audio interface (not to be confused with the USER interface I previously mentioned), which opens up some phone/tablet integration without the need for extra hardware. There is a lot of goodness going on with this machine!

Thank you, Sweetwater, for your support both online and in person. I want to give a shout out to my sales engineer, Riley Koenemann, who has always been there when I've needed him. And thank you, Cletus Goens ("I'm the only Clete you'll ever meet"), for helping me purchase the keyboard and speakers at the Sweetwater headquarters in Fort Wayne.

And thank you, Ben Allen, for your detailed YouTube reviews. Your high praise of the keybed in the CP88 is what helped me finally make up my mind after months of research. The keybed really does have a nice touch!

(NOTE: I tend to get self conscious when people listen to me play, so I tried testing the keyboard with the volume turned way down — or even off. That was a mistake. The keybed is important, but it can only be appreciated fully when combined with sounds. In retrospect, I should have brought along headphones for this purpose.)

The feel of the keys, the quality of the sounds, the sturdy build, and the intuitive user interface make the CP88 a pleasure to play.
Music background: Hobbyist
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